How I Quit My Salaried Job to Work Part-time and Became 100% Happier

Content warning: this post contains mention of suicide and self-harm

I was sitting on a couch I didn’t own, in an apartment I was subletting in Hell’s Kitchen, crying over the phone with my mom. I couldn’t afford to stay there any longer, and I knew it. My savings were spent. The sublet was up, and in that time, I hadn’t found enough well-paying jobs to afford to rent the apartment next month… or any apartment in New York City.

I wasn’t crying because the sublet was up.

I was crying because I had told myself that if I was forced to move back in with my parents after college, I would kill myself.

I know this seems harsh. I was not in a good place my last year of college. In a way, I credit writing and producing my TV pilot (and thesis film) After Oil with saving my life. At first, the stress I was under during production was so intense that it only seemed to worsen my suicidal ideation. But at a certain point, I realized I had so many people counting on me that I couldn’t stand the thought of disappointing them, even in death. So I pushed myself a little further. And then a little more.

After the production ended, the world didn’t fall apart around my shoulders the way I had convinced myself it would. Don’t get me wrong. In many ways, the production went to shit. A lot of mistakes were made by me which impacted the experience of my crew and cast. But still, the world didn’t end. More than that, I realized after processing some of the trauma of the production, that I was actually incredibly proud of what we had done. Even stranger, my cast and crew seemed proud of what we had accomplished too. That was a feeling I hadn’t felt towards something I had worked on in a very long time.

I wish I could say that levity buoyed me through the rest of the year. Instead, post-production began, and my classes became more focused on “what comes next”.

If I learned one thing at film school that year, it was this: if I wasn’t living in New York or L.A., I wasn’t going to have a career in film.

My life felt like a ticking time-bomb. I had until graduation to get the pieces into place. If I didn’t succeed in securing a job (or several) in NYC so I could continue working in film, I would become what I feared most.

A wash-up.

In my mind, if I wasn’t working some sort of film job in New York after I graduated, all of that tuition, all of that time my professors and other students had invested in me, was a total waste.

I applied for nannying and production assistant gigs. I scoured Indeed, Mandy.com, and craigslist for film gigs that I thought I was even remotely qualified for. They were few and far between. I’m sure I could have made it work. Made smarter decisions. Spent more time job searching.

But that doesn’t really matter now. By the end of that summer, I was forced to move back in with my parents.

Devastated, I fashioned myself a new preserver to keep my hopes afloat. I just needed to get back to New York City. I would find any film-related job Upstate and build up my resume. I would take free gigs in the city as a production assistant or a script supervisor to try and stay relevant. Keep growing my network of film peeps. I would continue to market After Oil and bring it around to festivals, hoping that the pilot would either go viral or that my co-producer and I would meet an interested executive who could take us to the next step.

Even living at home and working as a videographer, I still wasn’t making enough money. The cost of commuting to Albany and all over the Capital District region for work was incredibly draining. Trips to the city to meet with directors or work on sets were hideously expensive.

Then the final blow came. The year was drawing closed. After Oil hadn’t been selected for any more film festivals, and it would not qualify for more next year. It would no longer be a “new work” and therefore would not pass most festival admission qualifications.

New York City never looked so far away.

I was falling back into habits of self-harm, and the thought of suicide was never too distant.

It was around this time that I started streaming on Twitch. In my own time I often watched Overwatch streamers, and I loved just how interactive streaming was. I had made Let’s Plays before, so it seemed like a fun thing to try. I started to make some friends, and before too long, I had built a small community around my streams. Twitch was the only light in my life. I lived for my streams and the friends I had made there, quite literally. My whole world revolved around it.

At this same time, I had started dating again. That was when I met my partner, Dylan, which has utterly changed my life. It was truly like finding the other half of me, even if I didn’t yet know who “me” was. On top of that, I got accepted to a position as a personal assistant at a performing arts center. And it was salaried.

It really felt like I had successfully manifested what I needed most into my life. True unconditional love. A stable job. A chance to work hard, make connections, and pave my way back to New York City.

If you’ve ever been a personal assistant, or watched any media about being a personal assistant, you probably know about how well that went. I’ll spare details. After a little less than a year, I couldn’t take it anymore. My mental health was in tatters. I was having a breakdown weekly, if not every other day. I was forced to stream less, and there were times that it felt like that community I had worked so hard to build was slipping from my fingers. 

I searched for well-paying film jobs which were commuting distance from my house. I was met only with disappointment again. I decided that I needed to go back into freelance. It would mean taking a part-time job, commuting to New York City despite the cost, and probably working even longer 7-day weeks than I was currently working. So I searched for a production assistant or script supervisor position, something with a production scheduled a little further out. Something that would give me a chance to provide my two weeks notice.

I was still struggling though, and that was when Dylan said, “Why don’t you look for a part-time job now, so you can quit your job, and then look for something freelance?”

It might seem like an obvious suggestion. But it was more than that for me. It was permission.

You see, I was too afraid to quit my salaried performing arts job for anything less than a position that was at least somewhat related to my college degree.

I needed to hear from someone I cherished that, even if I quit to work outside of my job field, I would still be worthwhile and loved.

I found myself a part-time job close by. I turned in my two-weeks notice. I was done.

Then fucking COVID happened.

They couldn’t keep me on, and so I was forced to continue working as a personal assistant during an international pandemic. It really felt like the rug had been ripped out from under me.

As cases in New York declined though, I got a text from my employer saying she was opening up the ice cream shop next to her restaurant for the summer. I didn’t even ask how many hours she could offer there before I had written my (second) two week’s notice as a personal assistant.

It’s been over a month now. Compared to my personal assistant workflow amidst COVID-19, by all means, I have been working much more since switching jobs, while also getting paid less.

And I am 100% happier than I have been in some years.

Working a part-time job outside of my field has allowed me so much more freedom. I’m streaming on Twitch more consistently. I’ve opened my own online business, Gamer Girl Social Club, where I get to funnel all my ideas for cute video game-themed merch into making art. I’m even writing a new novel, tentatively called Lake Rats, based on an idea that came to me when visiting my mom’s campsite last month. Until last month, I couldn’t have even entertained the thought of taking a vacation.

Because my new job doesn’t require me to use my creative skills, I don’t feel creatively drained at the end of the day. Because I’m no longer salaried, work is just that… work. I leave the shop, and the shop doesn’t text me at eleven o’clock at night about some mundane task that suddenly needs to be done.

I had so much shame built up around the idea of quitting my job to work in customer service, and if I’m being honest, I still have some to work through. But I don’t regret my decision one bit.

There’s a lot of pressure as someone in a creative field to “make it”. Doing anything creative is such a risk, especially financially. I know I’m not the only one who’s ever felt the need to justify their passion by achieving some universally-accepted form of “success”.

Well, I’m here to tell you… you don’t have to.

I’m giving you permission to do what makes you happy in your life, even if it means turning your back on conventional success.

Success is not worth killing yourself over.

I know what I’ve done is not the right fit for everyone. I recognize I’m in a unique position. I’ve found a part-time job which not only doesn’t suck the soul out of me, but pays well enough to cover my share of rent. For most people, that’s like finding a fucking unicorn.

Whatever your version of this scenario is though, search for it. Allow yourself to chase what makes you happy. You don’t need to justify yourself or your passions to anyone.

Quit your job if you want to and if you can. Don’t compare your path with others. Be gentle with yourself. Stop fixating on “what comes next”.

I won’t lie to you and say that switching to a decent part-time job has solved all my problems. I still have bad mental health days. I still expect a lot more of myself than I should. I often set myself unattainable goals. But I’m finally working to afford following my passion, rather than to justify my passion.

Will I work in film again? Definitely. Right now, as COVID-19 still looms large, I’m focusing on running Gamer Girl Social Club, streaming, and writing both collaborative and personal projects. I’m in no rush to return to the film industry or NYC just yet.

And that’s a good feeling.

What steps have you taken in your personal and professional life to protect your mental health, while still pursuing your passion? What steps are you too afraid to take? Let me know in the comments section below.

Be safe and well.

-Shai

Don't Kill Yourself Over Your Art

“True artists kill themselves at their peak to prevent themselves from making bad work.”

Okay. So this. I’m so sick of this. I’m so tired of people thinking that madness is a prerequisite to making good art.

I know too many people who think they have to suffer in order to create. Like, people who will intentionally go out of their way to make themselves uncomfortable, unhappy, or even in pain in order to create better art.

Stop this. Just. No.

In the first place, where is the fucking logic in that? Look. Stop sweating it. The world is already a miserable enough place as it is, and you really don’t have to go out of your way to find suffering. Just wait. It’ll come to you. Chill the fuck out.

Secondly, this idea that art comes from madness or that the two go hand in hand is crap. And even if it wasn’t, YOUR ART IS NOT WORTH IT.

Let me say that again.

YOUR ART IS NOT WORTH YOUR SUFFERING.

If your art makes you uncomfortable, if your art makes you depressed, if your art is compromising your unhappiness in any way at all FUCK YOUR ART.

Good art does come from hard things. I’m not going to argue that. But the two aren’t synonymous, and it’s so fucking dangerous to think that way. More importantly, there are other ways of creating. Throw away this notion that your best work has come out of some of your darkest moments. If that’s what you think your peak is, I have good news.

You haven’t hit it yet.

So if you think you've hit rock bottom, and your sitting on the valley of your life as an artist, here are some things to try before calling it quits:

1. Make shit. Not art.

Let yourself fuck up. Not everything you create is going to be beautiful. But your creativity isn't a well that you can dreg dry. It's bottomless. You'll go through dry spells, but that doesn't mean you're broken. Wait it out. Rain always comes again. And don't fear ineptitude. You're making art, not building a bridge. No one's going to die if you fuck up. Allow yourself to suck. 

2. Follow passion, not pain.

If you're living with a mental illness, that shit is not your superpower. You don't have x-ray vision, or an insight into the world that "normies" are lacking. Sorry to rain on your parade, but if mental illness came with cardholder benefits, wouldn't we all be vying for it? You're limiting yourself and your art when you define yourself by the confines of an illness. Choose to focus instead on the things that get you fired up. Choose to define yourself by something other than your art.

3. Try not being an artist.

And by this I don't mean give up on your art completely. But have you ever tried being something other than an artist? What about a stamp collector? A jogger? A small-time ice skater? The miraculous thing about art is how very not mystical it is. It's not a religion, and if you devote yourself to nothing than its practice, turns out you're probably cutting yourself off from a lot of different sources of inspiration. Try drawing from the mundane rather than the maddened. You might save your sanity a couple extra years.

I'm aware that this all comes across as being very salty, and while I have a fair amount of anger towards this perception of art to work through, please know: I'm not angry at you if this is how you feel about your art. For a long time, I too, felt I had peaked at 15.

But please. Please know. You are worth more than your art. You have infinitely more value than anything you could create, and that is beautiful. You will find a way to create and be happy.

Please don't kill yourself over your art.

One of my favorite screenwriters, Max Landis, has a video on this topic, which I'll link to here. I highly recommend. If you need someone to talk about this, or anything, the comments section below is always open.